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Socks & Squares

Because the Rowan sweater is at the point where I’ve got to pick up stitches and knit the collar, and because that is most decidedly not a portable project, I’m focusing on socks this week.

Sock_one_in_progress

Isn’t the colorway fabulous?  This is Shibui sock yarn in Orchid.  I am in love.

I also took some time out to knit a square for my Uncle Dick, who learned to knit as a school child during the war in England.  I think it’s incredibly cool that he still knits.  He’s doing a blanket out of six inch squares, knit on the diagonal, so I made one for him.  Secretly, I long to do a blanket like this for us, but I can’t imagine sewing all the squares together.

Uncledickssquare

Finally, I’ll leave you with one last picture.  C-A-S-H-M-E-R-E

Satellite

I adore this stuff.  It takes up color so amazingly — this is the actual as is photo, not tarted up to saturate the color (this is a minor pet peeve of mine, I find that a lot of yarn sellers do this and then the yarn comes and although it’s pretty and I love it, the colors aren’t richly saturated like they were in the web photo).  Aran weight cashmere.  It’s wonderful.

I have plans to knit myself a hat from this.  If there is any interest (it’s aran weight cashmere, so it doesn’t come cheap) I may add a few skeins in when I stock yarn on Thursday.

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Art Tells A Story

                           

Done_secretly_4

The reason art matters to me is because it tells a story.  And I’m a story teller at heart.  At a young age, I was captivated by stories about my family.  At work, the essence of my job is to tell stories.  So I don’t suppose it’s any surprise that I’m captivated by art as a way of telling a story.

I rarely write as part of a piece of art.  But I love the concept of found words — scraps of text that float around on my art table, torn for backgrounds or other purposes until suddenly, at just the right moment, the right words magically show up in front of me.  That seems to happen a lot, especially as I struggle to find my own voice in my artwork.  I want my art to be my story, my words.

ncreasingly, I find that this struggle for authenticity has become easy.  As much as I love Claudine Hellmuth’s
clean, pretty lines, or DJ Pettitt’s soulful women, I could never make the kind of art they make.  My art is a reflection of me — I work, almost subconsciously, in a sort of artist’s daze, and when a piece is done, it’s a bit like waking up, coming back to my conscious self.  My artwork invariably looks like, well, my artwork.  Even when I try to have simple, spartan lines, my artwork is a little bit messy, obscure, full of layers and obscure portions.  It’s my story.

It’s funny that I’ve spent much of the past year worrying, even obsessing, about finding my own voice and making my own art, because it’s been here all along.  I couldn’t escape from it even if I wanted to.

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Moving on from bad knitting….

I wanted to show you pictures of art tonight.  Today was my first day back at work in weeks (I’m one of those people blessed with a job they love, but it was still nice to be home with my kiddies for a big chunk of time).  I spent my lunch hour at the library, where they are kindly displaying my artwork this month in the fourth floor atrium gallery.  Since I remembered to grab my camera on the way out the door this morning, I took pictures of all the art — it was very fun to see it all hung so beautifully and museum-like.  I wanted to show you a large canvas I’ve been working on for a while and finished for the show and some of the other smaller pieces.

I got home, all excited to upload the pictures.  And guess what?  Rocket scientist here took the camera, but left the smart card at home in the computer.  No pictures.  This is apparently a continuation of the mentality that permitted so much bad knitting on the poor Rowan sweater.

Because I hate to leave you picture-less, I’ll share one with you.  This is my Ellie’s dollhouse, a shared residence for our Blythe dolls.

Dollhouse

It is huge, almost as tall as Ellie, and the girl’s love it.  That is Jennifer, Elisabeth, and Samantha, dancing in the bedroom.  They are happy girls.  I haven’t quite mastered the art of Blythe photography yet, but they are endlessly fun, especially because you can change the color of their eyes by pulling the strings attached to the back of their heads.

I’m off to knit more on the arms of the cursed Rowan sweater.  I hope it goes smoothly.  Down with bad knitting!

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More Bad Knitting

It was even worse than I thought it was.  And I thought it was really bad.

For those of you who are joining our saga in progress, I picked up the Rowan Anise sweater, which I had cast aside a couple of months earlier in favor of finishing holiday knitting, while in the grips of a really bad case of the flu.  I was bored.  My temperature was well over 100` and I was taking an interesting cocktail of decongestants and asthma medicine.

Who was I fooling?  Disaster was pretty much a given here, right?

But it was worse than I thought as I struggled out to my local yarn shop with the disaster that was Anise in hand.  I was about one day shy of being better — you know, that feeling when you know that by the next day you’ll be feeling good again?

Let’s review the bad knitting photo.

Bad_knitting

Mistake one involved length while mistake two involved patterning.  But the blatantly obvious, so stupid that a novice knitter would see it immediately mistake, the mistake the all of y’all were too kind to comment on and that Jamie, the incredibly wonderful woman at my LYS, who patiently helped me reboot the sad mistakes in this sweater, gently pointed out, without even a hint of snarky laughter?  Mistake number three, the major, no hope of ignoring it mistake, was the fact that I, ahem, did the neck shaping on the wrong sides.  Look closely at the picture.  She the four stitch moss stitch border that should be on the meeting inside edges on the front, but is instead out on the side seams?  Enough said?  Jamie was very kind.  She even helped me realize where in the pattern I went wrong (I won’t bore you with the details, let’s just say that knitting both fronts at once, putting them down mid-knit, and knitting sick created the perfect storm).

After an entire day and very late night of re-knitting, Anise was ready to be blocked today.  It still has some problems and I am afraid, as I have been all along, that it is too small despite the fact that my gauge is spot-on.  But it’s pretty.  Those moss stitch panels are a thing of wonder and beauty and blocking really brings this one out.

First_blocking
While_blcking

Sleeves are in progress — two at the same time, since the flu is gone.

And a final note of thanks to Squirt, the cat, who remained happily napping on Ellie’s bed instead of making a beeline for knit items being blocked, which he usually loves to nap on.  I need to make Squirt a bed of Alpaca, his favorite fiber, out of gratitude.

Squirt_yellow

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Bad Knitting

I am a bad knitter.

That inner impulse that says, "oh, go ahead, it will turn out right" is usually wrong.

The Rowan sweater had been pushed aside, in favor of Christmas knitting, for a couple of months.  But it was calling me.  So, midway through a really bad case of the flu, I pulled it out the week of Christmas and finished the fronts.

Looks pretty good, if unblocked, doesn’t it?

Fronts

The problem?

There are actually two, major problems (I’m not going beyond the big ‘uns).

Bad_knitting

Problem #1, a little bit hard to see on the picture, is that I can’t count.  Apparently, when the pattern told me to stop on the fronts 8 rows before I stopped to do the neck shaping on the backs, I stopped about 8 rows too early.  As knit, this sweater would likely be a good fit for a hunchback, or maybe not even then.

I spent last night trying to convince myself it wasn’t all that bad and that I could block the fronts into submission.

But, there is also problem #2.  Apparently, while doing the decrease rows, I stumbled out of pattern.  There is a segment where I break out of Moss Stitch and into something, um, else.

I spent last night trying to convince myself this was a charming pattern enhancement.

I really was going to give it a go, knit the sleeves, sew it up, go looking for a new friend with an oddly shaped back and maybe some thick coke bottle eyeglasses.  But I can’t, heaven help me.  It’s really awful.  It’s bad knitting and I’m going to have to rip it out, figure out where the heck the moss stitch pattern and the decreases went south, and make it right.

I’m still in denial about the fact that despite the fact that I got gauge this looks a little bit small for me.  That’s what New Year’s getting back into shape resolutions are all about, right?

In less distressing news, I finished the blues & browns Be Sweet Tea Cozy.

Blue_cozy_done

It’s loveliness incarnate, but that is all about the yarn.  This yarn is absolutely wonderful and I have enough stashed to do a sweater for me and a skirt for Ellie this year.

I’ve also made just a wee bit of progress on the Habu Kusha Kusha Scarf.  Just a few more rows.

Kusha_in_progress

And, I’ve swatched for a pair of socks for myself in Shibui’s beautiful Orchid colorway which is sort of a riot of Lily Pulitzer Pinks with a touch of green (not any red as it appears in the picture).  I auditioned a couple of different stitches for the ribbing, but am still undecided.  This yarn is so pretty that I think simplicity is going to be the key to these socks.

Swatch

I have a little bit of good to go with my bad.  But I’m off to bed, going to get lots of sleep and a good headstart so I can figure out what’s wrong with Anise tomorrow.

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No Pictures Today

Sadly, I have no pictures for you today.  There are a couple of reasons.

First off, I’ve been working on my Rowan sweater.  The one I got about 75% done while visiting Teddy in Connecticut in October and then set aside.  I picked it back up this week — it was like something I had never seen before.  The aging she-brain is not a pretty thing in my house.  Somewhere between the moss stitch pattern and the armhole shaping on the front I managed to totally screw up make some interesting alterations to the pattern.  I am concerned that it is now suited to fit a very slender hunch back, not a rapidly sagging middled-aged mom of four.  It’s not a pretty sight and I’m not sharing pictures until I find an oddly shaped friend that I can gift this strange looking thang on.

Second, I’m working with lots of pictures, but not the kind taken with a camera.  I have a small one person exhibit at the Birmingham Public Library starting at the end of this week and, as a result of being sick over the holidays and getting nothing whatsoever done, I’m up framing tonight, getting everything ready to deliver in the morning.  If you’re in Birmingham and want to see the exhibit, it will be in the 4th Floor Gallery, beginning on January 4.

I promise more pictures of art and knitting later on this week.  It’s been a spectacularly productive art week for me, and I’m excited about two pieces I have, mostly finished, down in the studio.  There will definitely be pictures of them later this week.  Tomorrow, I have a bit of yarn and roving going on sale in my shoppe at Hyena Cart — everything will be available for purchase at 12 noon, Eastern time, but you can see the previews now.

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Always Remember What Is Your Own

I’m a great believer in subconscious messages, even in receiving messages from the universe.  So I believe this was meant for me:  a little scrap, left behind on my studio table, which suddenly caught me eye.  It’s my message for the new year, a message of promise and of hope and of happiness.  It read, "always remember what is your own…"

It has become this, my new year’s gift and wish for all of you.

Always_remember

Happy New Year!